List: African American brass musicians

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  • Louis Daniel Armstrong (August 4, 1901 – July 6, 1971) nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers.
    http://en.wikipedia.org/wiki/File:VocalionMuggles.jpg
  • Henry James "Red" Allen (January 7, 1906; see talkpage – April 17, 1967) was a jazz trumpeter and vocalist whose style has been claimed to be the first to fully incorporate the innovations of Louis Armstrong.
  • Frederick Dewayne "Freddie" Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He was known primarily for playing in the bebop, hard bop and post bop styles from the early 1960s and on. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
    http://commons.wikipedia.org/wiki/File:Freddie_Hubbard_and_Harry_Abraham.jpg
  • Dave Bartholomew is a musician, band leader, composer, and arranger, prominent in the music of New Orleans throughout the second half of the 20th century.
  • Nathaniel Adderley (November 25, 1931 in Tampa, Florida – January 2, 2000 in Lakeland, Florida) was an American jazz cornet and trumpet player who played in the hard bop and soul jazz genres. He was the brother of saxophonist Julian "Cannonball" Adderley.
  • Kenneth Amis (born 1970) is the tuba player with the Empire Brass. He is also the assistant conductor of the MIT Wind Ensemble, a group he has been involved with since its creation in 1999. In addition, as of 2005, Amis is an Affiliated Artist of MIT. He was born and raised in Bermuda. He began studying at Boston University at age 16. After that, he earned a Masters Degree from the New England Conservatory of Music.
  • William Alonzo Anderson (12 September 1916 – 29 April 1981), known as Cat Anderson, was an American jazz trumpeter best-known for his long period playing with Duke Ellington's orchestra, and for his extremely wide range (more than five octaves), especially his playing in the higher registers.
    http://commons.wikipedia.org/wiki/File:Louis_Bellson.jpg

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