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Tragédia (do grego antigo τραγῳδία, composto de τράγος "bode" e ᾠδή "canto") é uma forma de drama, que se caracteriza pela sua seriedade e dignidade, frequentemente envolvendo um conflito entre uma personagem e algum poder de instância maior, como a lei, os deuses, o destino ou a sociedade. Suas origens são obscuras, mas é certamente derivada da rica poética e tradição religiosa da Grécia Antiga. More information...

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  • Ode (from the Ancient Greek ὠδή) is a type of lyrical verse. A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode. Different forms such as the homostrophic ode and the irregular ode also exist. It is most likely that the Greek odes gradually lost their musical character; they were originally accompanied with the aulos, and then declaimed without any music at all.
  • An orchestra is an instrumental ensemble, usually fairly large with string, brass, woodwind sections, and almost always a percussion section as well. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus. The orchestra grew by accretion throughout the eighteenth and nineteenth centuries, but changed very little in composition during the course of the twentieth century.
    http://en.wikipedia.org/wiki/File:Taiwan.nch.ntnu.apo-hsu.2005-10a.altonthompson.jpg
  • The classical unities or three unities are rules for drama derived from a passage in Aristotle's Poetics. In their neoclassical form they are as follows: The unity of action: a play should have one main action that it follows, with no or few subplots. The unity of place: a play should cover a single physical space and should not attempt to compress geography, nor should the stage represent more than one place. The unity of time: the action in a play should take place over no more than 24 hours.
  • A protagonist (from the Greek πρωταγωνιστής protagonistes, "one who plays the first part, chief actor") is the main character (the central or primary personal figure) of a literary, theatrical, cinematic, video game, or musical narrative, around whom the events of the narrative's plot revolve and with whom the audience is intended to share the most empathy.
  • Strophe is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. A strophe also forms the first part of the ode, followed by the antistrophe and epode. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanzas framed only for the music," as John Milton wrote in the preface to Samson Agonistes, with the strophe chanted by a Greek chorus as it moved from right to left across the stage.
  • Epode, in verse, is the third part of an ode, which followed the strophe and the antistrophe, and completed the movement. At a certain point in time the choirs, which had previously chanted to right of the altar or stage, and then to left of it, combined and sang in unison, or permitted the coryphaeus to sing for them all, while standing in the centre.
  • The Greek chorus (choros) is a group of twelve or fifteen minor actors in tragic and twenty-four in comic plays of classical Athens. They can portray any characters, for instance, in Aeschylus' Agamemnon, the chorus comprises the elderly men of Argos, whereas in Euripides' The Bacchae, they are a group of eastern bacchants, and in Sophocles' Electra, the chorus is made up of the women of Argos.
  • Catharsis is a Greek word meaning "cleansing", "purging". It is derived from the infinitive verb of Ancient Greek: transliterated as kathairein "to purify, purge," and adjective Ancient Greek: katharos "pure or clean."
  • The Birth of Tragedy from the Spirit of Music (Die Geburt der Tragödie aus dem Geiste der Musik, 1872) is a 19th-century work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism . The later edition contained a prefatory essay, An Attempt at Self-Criticism, wherein Nietzsche commented on this very early work.
    http://en.wikipedia.org/wiki/File:The_Birth_of_Tragedy.jpg
  • A deus ex machina is a plot device whereby a previously intractable problem is suddenly and abruptly solved with a contrived introduction of a new character, ability, or object. It is generally considered to be a poor storytelling technique because it undermines the story's internal logic.

 

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