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A commedia dell'arte foi uma forma de teatro popular improvisado, que começou no séc. XV na Itália e se desenvolveu posteriormente na França e que se manteve popular até o séc. XVIII. A “Commedia dell’arte” vem se opor à “Comédia Erudita”, também sendo chamada de “Commedia All’improviso” e “Commedia a Soggetto”. Esta forma ainda sobrevive através de alguns grupos de teatro. Suas apresentações eram feitas pelas ruas e praças públicas. More information...

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  • Carlo Osvaldo Goldoni (25 February 1707 – 6 February 1793) was a celebrated Venetian playwright and librettist, whom critics today rank among the European theatre's greatest authors. His works, along with those of the modernist Luigi Pirandello, include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty.
    http://commons.wikipedia.org/wiki/File:Carlo_Goldoni.jpg
  • Francesco Andreini (c. 1548 - 1624) was an Italian actor. Andreini was born at Pistoia. He was a member of the company of i Gelosi which Henry IV of France summoned to Paris to his bride, the young queen Marie de Medici, thus introducing the commedia dell'arte style to France. Both his wife, Isabella Andreini, and their son, Giambattista Andreini, were also distinguished in the arts.
    http://commons.wikipedia.org/wiki/File:Italyfilm.png
  • Lazzi (from the Italian lazzo, a joke or witticism) is a piece of well-rehearsed comic action commonly used in the Commedia dell'arte. Most English-speaking troupes use the Italian plural "lazzi" as the singular and "lazzis" for the plural. During improvised performances a lazzi may be used to fill time or to ensure a certain frequency of laughs in a show.
  • Harlequinade is a type of theatrical performance piece, originally a slapstick adaptation of the Commedia dell'arte, which dates back to Italy in the 16th century. The story revolves around the lives of its five main characters: Harlequin, Pierrot, Columbine, Clown, and Pantaloon. The British harlequinade, beginning in the 18th century, involved a series of scenes interwoven with scenes from a serious play based on a myth or folklore.
    http://en.wikipedia.org/wiki/File:Richarlequin.jpg
  • Carlo, Count Gozzi (13 December 1720 – April 4, 1806) was an Italian dramatist, known for his play The Green Bird.
    http://commons.wikipedia.org/wiki/File:Carlo_Gozzi.jpg
  • Pagliacci (Players, or Clowns) is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe. (Its name is sometimes incorrectly rendered as I Pagliacci with a definite article. ) Pagliacci premiered at the Teatro Dal Verme in Milan on May 21, 1892, conducted by Arturo Toscanini with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio.
    http://commons.wikipedia.org/wiki/File:Ruggiero_leoncavallo.jpg
  • Sergei ProkofievFile:Sergei Prokofiev 02. jpg Operas The Giant, (1900) Maddalena (1911) The Gambler (1916) The Love for Three Oranges (1919) The Fiery Angel (1927) Semyon Kotko (1939) Betrothal in a Monastery (1941) War and Peace (1945) The Story of a Real Man (1948) v • d • e The Love for Three Oranges is an opera composed in 1919 by Sergei Prokofiev to a libretto based on the play L'Amore delle tre melarance by Carlo Gozzi.
  • Tabarin was the street name assumed by the most famous of the Parisian street charlatans, Anthoine Girard (c. 1584 – August 16, 1633), who amused his audiences in the Place Dauphine by farcical dialogue with his brother Philippe (as Mondor), with whom he reaped a golden harvest by the sale of quack medicines for several years after 1618. Street theatre was popular theatre, on an improvised stage with a curtain backdrop, to the music of a hurdy-gurdy and a set of viols.
  • Isabella Andreini (1562-1604), also known as Isabella Da Padova, was an Italian actress and writer. Isabella Andreini was a member of the Compagnia dei Comici Gelosi, an important touring theatre company that performed for the highest social circles of Italy and France. Famous in her time, and ever distinguished alike for her acting and her character, nowadays she is regarded as the epitome about incarnating the eponymous Isabella role of the Commedia dell'arte, which has been named after her.
  • Founded in Boston, MA in 1990, i Sebastiani is a commedia dell'arte troupe that specializes in Itallian comedy of the late sixteenth century and early seventeenth century.

 

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